Ishizaki Kōyō (1884-1947) is remembered today mainly for his delicate paintings in a traditional style, but his photography too was accomplished.
He started climbing mountains when he went up to Kyoto to study art, joining the Japanese Alpine Club in 1908.
It was Ishizaki who took the summit photo when, the following year, JAC members made the second ascent of Tsurugi in modern times, following in the footsteps of the Army surveyors two years before.
|Summiting Tsurugi in 1909: photo by Ishizaki Koyo|
|Scene on Mahadev Peak, hand-tinted print by Ishizaki Koyo|
He was successful enough to take what would now be called a long sabbatical. In 1927, he traversed the Himalaya into Tibet and photographed the holy mountain of Kailash. Returning via Kashmir, he did the same for Nanga Parbat. A collection of these photos was published in 1932 as A Himalayan journey.
|The holy mountain of Kailash, by Hasegawa Denjiro|
|Okada Koyo at work|
|Two views of Mt Fuji, by Okada Koyo|
In 1939, Kazami, Funakoshi and other CHC members founded the Tokyo Mountain Photography Association, which morphed into the Japan Mountain Photography Association (日本山岳写真協会) in 1947 to reflect its increasingly national membership. Kazami’s career spanned a remarkable sixty years. He served in the Imperial Navy during the war, as a photographer. After being repatriated from New Guinea in 1946, he set up a photographic supplies shop in the Ginza. Etude of Alps, his first photo collection, was published in 1953, followed by Going to the mountains (山を行く) in 1957.
|Pages from Kazami Takehide's "Going to the mountains"|
|The Big White Peak expedition team:|
Kazami Takehide (on the right), next to Fukada Kyuya
Kazami’s first visit to the Himalaya resulted in two books, the expedition journal, for which Fukada wrote the text, and a photo collection on the Jugal Himal. Nepal must have appealed to Kazami; he went back there in 1960, the year he closed his shop and went fully professional as a photographer. His photo collection on Nepal’s mountains and its people was translated into English. After half a century, Japan’s Himalayan photographers had started to gain an international reputation.
|Senjogahara, by Hasegawa Denjiro|
Next: into the age of colour.